And while the MT 15 was designed with heavier players – such as Tremonti himself – in mind, the amp offers a range of tones for guitarists working in any number of styles. Similar to the PRS Archon, the MT 15 features five gain stages before the Master for full, lush distortion. The MT 15 Mark Tremonti is a two-channel lunchbox amp powered by a pair of 6L6 output tubes and six 12AX7 preamp tubes. Read our full Boss Katana 100 MKII review More options. The amp also features stereo expansion possibilities and an effects loop – but then with 60 effects available via Boss’s Tone Studio software, you might not need them. There is a variable power control so you can switch it down to half-power or a measly 0.5-watts to get super-cranked tones at bedroom level. The Lead amp, meanwhile, has all the gain you need to turn your signal into something that could slice through steel. The spandex-legged of you might then want to park yourself in the Brown channel, which is lifted directly from the Boss Waza amplifier and will put the E into the VH of your rock tones. Factor in all the Boss effects and you see what we mean about it being a Swiss Army Knife for tone.īut this is the best metal amp buyer’s guide so let’s just get down to it. There are five amp types onboard, which effectively means the Katana is a five-channel amp, with Clean, Crunch, Lead, Acoustic, and Brown amp models. Read the full Orange Micro Dark review Best modeling amp Run it clean, run it fiercely, there’s plenty of range on that gain control, and a buffered effects loop on the back for hooking up your pedalboard. The control panel has knobs for volume, shape, and gain, with the shape control running from a predominantly mids-scooped tone at one extreme to a more mids-heavy, punchy tone at the other.Īt 20 watts, we found that the Micro Dark is more than powerful enough for band practice or small gigs – cab permitting – and with an emulated headphones output it's ideal for late-night silent practice. It’s a single-channel hybrid amp with a solid-state power section being fed by a preamp that’s got a single 12AX7 tube to give its crunch a nice and juicy dynamic response. The Orange Micro Dark sure is tiny but it's more than capable of tones that will scorch the earth around you, and perfectly voiced for any kind of high-gain, heavy metal hi-jinks. It’s fierce, but not quite enough volume suitable for larger gigs On the back panel, an effects loop, preamp out for slaving another amp, and handy speaker jack out with a switchable impedance selector round out this brilliant amp’s feature set. The EQ is shared by both channels and the separate knobs for pre and post-gain give you loads of tone control. It’s got separate high and low gain inputs and the controls are simple but surprisingly flexible. It can do glassy cleans as well of course, but let’s face it, most guitarists will be buying this amp for the overdriven sound. The saturation available is simply astounding, but it always feels punchy and never mushy until it’s pretty much maxed out. It’s got a huge sweep of gain tones available that take you from classic rock crunch right through to modern metal mayhem, but always staying detailed and responsive. Recently updated with a new transformer and internal switch for international voltages it’s got a huge range of features that make it a touring standard for the modern metal guitarist. If you’re after the tight chug of modern metal, there’s not much that does it better than the legendary Peavey 6505 1992 Original.
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